Alice Guy Blache by Emmanuelle Gaume with Alexandra Lamy

Alice Guy Blache by Emmanuelle Gaume with Alexandra Lamy

samedi 23 novembre 2019

1894-1907 Alice Guy travaille avec Georges Demenÿ #aliceguy #aliceguy1894 #aliceguyblache #motherofcinema #herstory #aliceguystory

1894-1907 Alice Guy travaille avec Georges Demenÿ #aliceguy #aliceguy1894 #aliceguyblache #motherofcinema #herstory #aliceguystory



https://www.facebook.com/profile.php?id=100011291565144
https://www.facebook.com/profile.php?id=100011291565144 These are frames from Georges Demeny's 1896-97 60mm films which Alice said “only recorded a small range of the black-and-white spectrum and produced images that were too sharply contrasted.” As you can see, if it's in the shade, it doesn't come out. There is a lot of talk about these early films being copied to 35mm but I don't see why they would copy them.

jeudi 14 novembre 2019

The Rolling Bed (1907). La Pionera Alice Guy , the woman who established Cinema as a storytelling medium and a viable business.

Here is what I think is a rehearsal photograph from Alice Guy’s The Rolling Bed (1907). (Is that her looking over the wall?) I found it in a 1912 book accompanied by the following text explaining the “trick” that so impressed its audience: “The film called ‘The Travelling Bed’ is a typical subject of mystification. An aged tenant has fallen into arrears with his rent. . . he has no home and does not know where to search for one. The bed however promptly sets out to solve the problem. It bears its owner into the public highway. The owner is overwhelmed with fright and dismay at the unexpected development, and indulges in frantic gesticulations as the bed canters merrily down the center of the road, with the passers-by pursuing the unusual spectacle. The mystery of the Travelling Bed is easily explained. It moves for the simple reason that it is pushed from behind by stage hands.” JJ Dietrick .  https://www.youtube.com/watch?v=Ein3EzfFAuk

Alice Guy , the woman who established Cinema as a storytelling medium and a viable business. 

lundi 11 novembre 2019

Alice Guy , the woman who established Cinema as a storytelling medium and a viable business. On the Barricade 1907 ‘L'enfant de la barricade’ Directed by Alice Guy

Quinn Bailey
Review by Quinn Bailey ★★★★½ 
Alice Guy Presents The Hurt Locker
In all seriousness, Guy's take on the anti-war movie is pretty damn effective, even if it's not quite as visually or narratively ambitious as some of her other work. The story's simple but touching, and cleverly builds character through action rather than exposition (side note: you've got to love how Guy doesn't give a single shit about putting title cards in her movies). The standout here, however, is a surprisingly visceral battle sequence that plays out entirely in a wide shot, allowing the audience to clearly see all of the carnage and its human cost. I loved this, but your mileage may vary with this depending on how rabid of an Alice Guy fan you are/how much you can handle the tropes of early cinema. Easily worth four minutes of your time.
Final question: is this the first anti-war movie? The only war movie I can find that was made before this one is a 90-second propaganda film from the time of the Spanish war, so I'm gonna say yes.
https://www.youtube.com/watch? 

Alice Guy , the woman who established Cinema as a storytelling medium and a viable business. 

v=AKQUiac27dMUn jeune garcon, sorti pour aller aux provisions, est pris pour un emeutier dans une embuscade avec la troupe. On se prepare a le fusiller au moment ou sa mere, venue inquiete a sa rencontre...
Alice Guy-Blaché really may have been the earliest great director. She guides the eye through the frame and makes use of the entire space like no one else at the time. Another thing that's interesting about this film is that, while set during the French Revolution, the characters are all dressed in modern (for the time) clothing, which is something that may or may not be intentional, but I've only seen that type of thing in "Transit" (2018). I actually think it works pretty well in both films, while obviously having more of an impact in the 2018 film.
I actually found myself caring for the main character, and by some extent his mother. Now I get why people make a big deal about this sort of lost cinema legend, Alice Guy! 
Jessica Minster

The Pioneer Directrix Alice Guy Washington Post June 16, 1920 ...A Mãe do Cinema de Ficção - Alice Guy

"Mme. Alice Blache, director of Dolores Cassinelli's newest feature, "Tarnished Reputations" at Crandall's Theater today, was the first woman to take a megaphone in hand and direct a motion picture. Mme. Blache is a French woman. She was educated in convents in Paris and Geneva. Her first affiliation with the moving picture industry was as secretary to M. Gaumont, in Paris. In 1897, when pictures were just in their swaddling clothes, she was put in charge of the Paris Gaumont studios. Years later she came to the United States with her husband, Herbert Blache, and they formed the United States Amusement company, doing their own producing and directing."
 The Pioneer Directrix Alice Guy Washington Post June 16, 1920
 Por muito tempo Méliès foi tido como o pai dos filmes de ficção, quando na verdade uma grande mulher chamada Alice Guy já havia feito filmes que narravam histórias. Conheça neste pequeno vídeo a mulher que criou o Cinema de Ficção e que por pouco não foi apagada da história da Sétima Arte

 http://www.blogosanosperdidos.com.br/2019/10/resenha-as-pioneiras-do-cinema-obras.htmlhttp://www.blogosanosperdidos.com.br/2019/10/resenha-as-pioneiras-do-cinema-obras.html

She Invented the Movies

 https://www.facebook.com/aliceguyblache/
.A Mãe do Cinema de Ficção - Alice Guy 

She Invented the Movies