Alice Guy Blache by Emmanuelle Gaume with Alexandra Lamy

Alice Guy Blache by Emmanuelle Gaume with Alexandra Lamy

dimanche 21 septembre 2014

BE NATURAL ©riginal story of ALICE GUY BLACHE since 1894 by Alice Guy Jr تكون القصة الأصلية الطبيعية أليس الرجل blache بواسطة أليس الرجل صغار

Be natural "In the Year 2000" by Alice Guy Solax

 BE NATURAL ©riginal story of ALICE GUY BLACHE since 1894 by Alice Guy Jr








تكون القصة الأصلية الطبيعية أليس الرجل blache بواسطة أليس الرجل صغار

BE NATURAL ©riginal story of ALICE GUY BLACHE since 1894 by Alice Guy Jr

jeudi 18 septembre 2014

©riginal BE NATURAL ALICE GUY BLACHE 1911 ,,, Movingpicturenew04unse_0607

©riginal BE NATURAL ALICE GUY BLACHE 1911 ,,, Movingpicturenew04unse_0607

... THE MOVING PICTURE NEWS 9 .... MADAME ALICE BLACHE President of Solax Company To the indefatigable industry, the experience, enterprise and progressiveness of this little lady is due the remark- able success which has been achieved by the Solax Company during the comparatively short time it has been in business ..

dimanche 7 septembre 2014

“a French film pioneer who invented the director’s job.” Barbara Streisand

https://www.facebook.com/alice.guyjr

Barbra Streisand is credited with calling Alice Guy-Blaché “a French film pioneer who invented the director’s job.” And indeed that is true, because in the early days of moviemaking, long
before there was a film industry, everyone was just making it up as they went along, experimenting with the new technology. Because Guy-Blaché crafted stories, she shaped what it meant to be a director as the role is defined today

vendredi 25 juillet 2014

Alice Guy Blache Be Natural Portrait

Alice Guy-Blaché (Painting #7 of 13) “Influential Women”

 

Alice Guy-Blaché
1873 – 1968
“Be Natural”
Surely, Léon Gaumont could not have foreseen the typist he hired to do clerical work would turn out to be one of the most inventive and influential filmmakers in the fledging years of the motion picture industry in France. In 1896, after two years with Gaumont Films, Alice Guy was head of production for the company. Under her direction, the first narrative films were developed, a shift from the street scenes vignettes heretofore popular subjects for audiences around the turn of the century. By 1906 Alice was writing, directing and producing several short films a week at Gaumont. A decade before D. W. Griffith’s seminal Birth of a Nation in the US, Alice made The Life of Christ, one of the largest budget productions anywhere in its day. She has not been properly credited for such cinematic first as: split screen, double exposure, reversing shots, and for overseeing the development of “Chronophone”, the first sound recordings synced with picture. In 1930, Léon Gaumont published the history of his company with no mention of Alice or any productions prior to 1907. Understandably upset, Alice, wrote a letter to Gaumont, and he agreed to change the text to include her contributions leading to the success of his company. These promised changes never made it into print and were never published.
In 1907, Alice Guy became Mrs. Alice Guy-Blaché, when she married the scoundrel, Herbert Blaché, another Gaumont employee who worked as a production manger. The newly weds set sail for America to head the Gaumont company’s expansion into the US market. By 1910, the couple in partnership with moneyman George A. Magie, felt secure enough in their abilities to sever ties with Gaumont and form the largest pre-Hollywood film company, Solax. First located in Flushing New York, the success of their partnership soon saw them relocating to Fort Lee N.J., the epicenter at the time for motion picture production. With Alice as artistic director, and Herbert as production manager and cinematographer, the company flourish under a large sign Alice had place in the facility quoting her motto: “Be Natural.” Despite the complications of being the mother of two young daughters, Alice, as head of Solax, continued to write, direct and produce as many as three films a week. In order to focus more on writing and directing, Alice put the presidency of their company solely in Herbert’s hands. The exodus of many of the Fort Lee film companies to the warmer, less expensive climes of the West Coast, where they could escape the Edison patent thugs, meant a decline in East Coast production and a decline in Solax’s fortunes – as well as Alice and Herbert’s marriage. After starting another company, Herbert deserted Alice and their two children and ran off to Hollywood with one of his actresses.
Alice briefly made films for William Randolf Hearst, but the loss of her husband and the transplanting of the film industry to the West coast, soon found Alice in bankruptcy. She returned to France with her daughters and although for the next 30 years lectured and wrote about film, Alice never made another movie. Alice Guy-Blaché’s twenty four years in the industry and nearly one thousand films, were virtually forgotten by the film community until she received the Légion d’honneur (1953) in her native France. Barely a third of her work still exist (mainly the films she directed featuring Charlie Chaplin), her legacy has been revived by the New Jersey Film Commision with a monument in her honor in Fort Lee, NJ, the site of her Solax studio. Her contrabutions to the art of filmmaking have influenced and are evident in every film that is made to this day.https://www.facebook.com/aliceguyblache
(Painting photo: Mark Serman)
© Laurence Revene, 2014

 


lundi 9 juin 2014

Be Natural ...Hilary Greatorex has been visiting schools in Hertfordshire dressed at Alice Guy Blache, the first woman film director, to inspire children to explore filmmaking.

Be Natural ...Hilary Greatorex has been visiting schools in Hertfordshire dressed at Alice Guy Blache, the first woman film director, to inspire children to explore filmmaking.

dimanche 8 juin 2014

Be Natural Alice Guy Blaché (March 11, 2014) ( Paper Doll) by Bridget McAlonan -

Be Natural Alice Guy Blaché (March 11, 2014) ( Paper Doll) by Bridget McAlonan -

Es sobrecogedor intentar relatar la historia de una mujer que es tanto un icono cinematográfico como una leyenda casi mitológica. Ante todo Alice Guy fue una pionera.
 
Alice Guy, francesa del siglo XIX, empezó a trabajar como secretaria de un pionero de la industria del cine, que se dedicaba a fabricar máquinas fotográficas. Fue la primera mujer en asistir a una demostración privada del nuevo invento de Louis Lumière: el antecesor de la cámara de vídeo.

Cuando su jefe, Léon Gaumont, perfeccionó el rudimentario aparato de Lumière, la joven Alice Guy – de tan solo 23 años – tuvo la idea definitiva: el aparato podría usarse para contar historias animadas, lo que el cine necesitaba era narrar. Decidió que demostraría el valor de su idea llevándola a cabo ella misma.


Fue ella la que realizó la primera película per sí de la historia del cine, lo que la convierte en el primer cineasta del mundo. Una mujer fundó el cine. La primera producción cinematográfica (en el sentido moderno de la palabra) de la historia se llamó La Fée aux Choux (El hada de las coles).

El invento de Alice tuvo tanto éxito que se encargó de la productora de Gaumont. Durante su experiencia cinematográfica dirigió y produjo más de seiscientos films de todo tipo de temáticas y géneros. Finalmente llegó a ser propietaria y directora de su propio estudio de cine Solax
Company. Sigue sin haber habido otra mujer que haya estado a la cabeza de su propio estudio cinematográfico.

Como Méliès y otros muchos pioneros del cine, no tuvo el suficiente poder para poder competir con Hollywood, y en la Meca del cine no había sitio
para los primeros genios del séptimo arte.

En un artículo mucho más completo que éste podéis encontrar información sobre la filmografía y biografía más completa de este titán del cine experimental